Boundless
Oil on Board
120 x 120cm
$4900.00
120 x 120cm
$4900.00
Salt Drift - Dust Float
Oil on Board
120 x 120cm
$4900.00
120 x 120cm
$4900.00
How The Earth Feels
Oil on Board
91 x 91cm
$2800.00
Available @ AK Bellinger Gallery
91 x 91cm
$2800.00
Available @ AK Bellinger Gallery
Heart Pound - Sold
Yuendumu Turnoff - Sold
Land Fall
Oil on Board
91 x 91cm
$2800.00
Available @ AK Bellinger Gallery
91 x 91cm
$2800.00
Available @ AK Bellinger Gallery
When It Rains Rocks
Oil on Board
91 x 91cm
$2800.00
91 x 91cm
$2800.00
Ghosting
Oil on Board
91 x 91cm
$2800.00
91 x 91cm
$2800.00
Night Vision
Oil on Board
72 x 56cm
$1800.00
72 x 56cm
$1800.00
Earth Day Karrku - Sold
North Bound - Sold
South End - Sold
West Wind
Collage on Paper
Unframed 60 x 60cm
$650.00
Unframed 60 x 60cm
$650.00
Night Ground
Collage on Paper
Unframed 60 x 60cm
$650.00
Unframed 60 x 60cm
$650.00
Tree Memory
Collage on Paper
Unframed 60 x 60cm
$650.00
Unframed 60 x 60cm
$650.00
Time Imagined
Collage on Paper
Unframed 64 x 64cm
$700.00
'The Drowned Landscape' -series inspired by Narrawallee inlet and pushed along by the following text.
Imagine a time, around 20,000 years ago. The landscape of Murramarang and
Kioloa looks markedly different. Most noticeable is the absence of the ocean,
which is not even visible in the distance, being about 120 metres lower than
today and 14 kilometres further out. The climate is cold and dry and ocean
water is captured in the massive polar ice caps. In place of the ocean there is
a large rolling plain with rocky outcrops, ridges and hills, covered in forest
and bush, and providing sustenance for Australia’s grazing megafauna — giant
kangaroos, wombats and diprotodons. PEOPLING THE
LANDSCAPE
Sue Feary
Unframed 64 x 64cm
$700.00
'The Drowned Landscape' -series inspired by Narrawallee inlet and pushed along by the following text.
Imagine a time, around 20,000 years ago. The landscape of Murramarang and
Kioloa looks markedly different. Most noticeable is the absence of the ocean,
which is not even visible in the distance, being about 120 metres lower than
today and 14 kilometres further out. The climate is cold and dry and ocean
water is captured in the massive polar ice caps. In place of the ocean there is
a large rolling plain with rocky outcrops, ridges and hills, covered in forest
and bush, and providing sustenance for Australia’s grazing megafauna — giant
kangaroos, wombats and diprotodons. PEOPLING THE
LANDSCAPE
Sue Feary
Island Tall Trees
Collage on Paper
Unframed 64 x 64cm
$700.00
'The Drowned Landscape' -series inspired by Narrawallee inlet and pushed along by the following text.
Imagine a time, around 20,000 years ago. The landscape of Murramarang and
Kioloa looks markedly different. Most noticeable is the absence of the ocean,
which is not even visible in the distance, being about 120 metres lower than
today and 14 kilometres further out. The climate is cold and dry and ocean
water is captured in the massive polar ice caps. In place of the ocean there is
a large rolling plain with rocky outcrops, ridges and hills, covered in forest
and bush, and providing sustenance for Australia’s grazing megafauna — giant
kangaroos, wombats and diprotodons. PEOPLING THE
LANDSCAPE
Sue Feary
Unframed 64 x 64cm
$700.00
'The Drowned Landscape' -series inspired by Narrawallee inlet and pushed along by the following text.
Imagine a time, around 20,000 years ago. The landscape of Murramarang and
Kioloa looks markedly different. Most noticeable is the absence of the ocean,
which is not even visible in the distance, being about 120 metres lower than
today and 14 kilometres further out. The climate is cold and dry and ocean
water is captured in the massive polar ice caps. In place of the ocean there is
a large rolling plain with rocky outcrops, ridges and hills, covered in forest
and bush, and providing sustenance for Australia’s grazing megafauna — giant
kangaroos, wombats and diprotodons. PEOPLING THE
LANDSCAPE
Sue Feary
Distant Shore
Collage on Paper
Unframed 64 x 64cm
$700.00
'The Drowned Landscape' -series inspired by Narrawallee inlet and pushed along by the following text.
Imagine a time, around 20,000 years ago. The landscape of Murramarang and
Kioloa looks markedly different. Most noticeable is the absence of the ocean,
which is not even visible in the distance, being about 120 metres lower than
today and 14 kilometres further out. The climate is cold and dry and ocean
water is captured in the massive polar ice caps. In place of the ocean there is
a large rolling plain with rocky outcrops, ridges and hills, covered in forest
and bush, and providing sustenance for Australia’s grazing megafauna — giant
kangaroos, wombats and diprotodons. PEOPLING THE
LANDSCAPE
Sue Feary
Unframed 64 x 64cm
$700.00
'The Drowned Landscape' -series inspired by Narrawallee inlet and pushed along by the following text.
Imagine a time, around 20,000 years ago. The landscape of Murramarang and
Kioloa looks markedly different. Most noticeable is the absence of the ocean,
which is not even visible in the distance, being about 120 metres lower than
today and 14 kilometres further out. The climate is cold and dry and ocean
water is captured in the massive polar ice caps. In place of the ocean there is
a large rolling plain with rocky outcrops, ridges and hills, covered in forest
and bush, and providing sustenance for Australia’s grazing megafauna — giant
kangaroos, wombats and diprotodons. PEOPLING THE
LANDSCAPE
Sue Feary
The Drowned Land
Collage on Paper
Unframed 64 x 64cm
$700.00
'The Drowned Landscape' -series inspired by Narrawallee inlet and pushed along by the following text.
Imagine a time, around 20,000 years ago. The landscape of Murramarang and
Kioloa looks markedly different. Most noticeable is the absence of the ocean,
which is not even visible in the distance, being about 120 metres lower than
today and 14 kilometres further out. The climate is cold and dry and ocean
water is captured in the massive polar ice caps. In place of the ocean there is
a large rolling plain with rocky outcrops, ridges and hills, covered in forest
and bush, and providing sustenance for Australia’s grazing megafauna — giant
kangaroos, wombats and diprotodons. PEOPLING THE
LANDSCAPE
Sue Feary
Unframed 64 x 64cm
$700.00
'The Drowned Landscape' -series inspired by Narrawallee inlet and pushed along by the following text.
Imagine a time, around 20,000 years ago. The landscape of Murramarang and
Kioloa looks markedly different. Most noticeable is the absence of the ocean,
which is not even visible in the distance, being about 120 metres lower than
today and 14 kilometres further out. The climate is cold and dry and ocean
water is captured in the massive polar ice caps. In place of the ocean there is
a large rolling plain with rocky outcrops, ridges and hills, covered in forest
and bush, and providing sustenance for Australia’s grazing megafauna — giant
kangaroos, wombats and diprotodons. PEOPLING THE
LANDSCAPE
Sue Feary
Desert Chill
Collage on Paper
Unframed 70 x 70cm
$750.00
'Desert Chill' series - inspired by Central Australia landscape and the fascinating following text. "The Pleistocene people penetrated the dark recesses of the cave, climbing and walking in precipitous caverns almost 250 metres beneath the surface of the earth, leaving behind incisions and hand markings on the soft chalk-like walls of the cave. It was an ancient land of inverted proportion where, to the people who lived on the flattest country on earth, the greatest topographic relief they knew existed underground. The people moved through cathedral-like chambers and narrow animal-sized tunnels in pursuit of their artistic and ritual objectives. They moved and worked in darkness disturbed only by the flickering light provided by firesticks, and left behind distinctive hand markings and vertical lines engraved with sticks and stones. Ice age people are seen here with particular vibrancy – fingers drawn across the fabric of the inner earth, the imprints of real hands belonging to real people who lived 20,000 years ago".
FIRST FOOTPRINTS – Scott Cane
Unframed 70 x 70cm
$750.00
'Desert Chill' series - inspired by Central Australia landscape and the fascinating following text. "The Pleistocene people penetrated the dark recesses of the cave, climbing and walking in precipitous caverns almost 250 metres beneath the surface of the earth, leaving behind incisions and hand markings on the soft chalk-like walls of the cave. It was an ancient land of inverted proportion where, to the people who lived on the flattest country on earth, the greatest topographic relief they knew existed underground. The people moved through cathedral-like chambers and narrow animal-sized tunnels in pursuit of their artistic and ritual objectives. They moved and worked in darkness disturbed only by the flickering light provided by firesticks, and left behind distinctive hand markings and vertical lines engraved with sticks and stones. Ice age people are seen here with particular vibrancy – fingers drawn across the fabric of the inner earth, the imprints of real hands belonging to real people who lived 20,000 years ago".
FIRST FOOTPRINTS – Scott Cane
Fire Stick
Collage on Paper
Unframed 70 x 70cm
$750.00
'Desert Chill' series - inspired by Central Australia landscape and the fascinating following text. "The Pleistocene people penetrated the dark recesses of the cave, climbing and walking in precipitous caverns almost 250 metres beneath the surface of the earth, leaving behind incisions and hand markings on the soft chalk-like walls of the cave. It was an ancient land of inverted proportion where, to the people who lived on the flattest country on earth, the greatest topographic relief they knew existed underground. The people moved through cathedral-like chambers and narrow animal-sized tunnels in pursuit of their artistic and ritual objectives. They moved and worked in darkness disturbed only by the flickering light provided by firesticks, and left behind distinctive hand markings and vertical lines engraved with sticks and stones. Ice age people are seen here with particular vibrancy – fingers drawn across the fabric of the inner earth, the imprints of real hands belonging to real people who lived 20,000 years ago".
FIRST FOOTPRINTS – Scott Cane
Unframed 70 x 70cm
$750.00
'Desert Chill' series - inspired by Central Australia landscape and the fascinating following text. "The Pleistocene people penetrated the dark recesses of the cave, climbing and walking in precipitous caverns almost 250 metres beneath the surface of the earth, leaving behind incisions and hand markings on the soft chalk-like walls of the cave. It was an ancient land of inverted proportion where, to the people who lived on the flattest country on earth, the greatest topographic relief they knew existed underground. The people moved through cathedral-like chambers and narrow animal-sized tunnels in pursuit of their artistic and ritual objectives. They moved and worked in darkness disturbed only by the flickering light provided by firesticks, and left behind distinctive hand markings and vertical lines engraved with sticks and stones. Ice age people are seen here with particular vibrancy – fingers drawn across the fabric of the inner earth, the imprints of real hands belonging to real people who lived 20,000 years ago".
FIRST FOOTPRINTS – Scott Cane
Cathedral Rock
Collage on Paper
Unframed 70 x 70cm
$750.00
'Desert Chill' series - inspired by Central Australia landscape and the fascinating following text. "The Pleistocene people penetrated the dark recesses of the cave, climbing and walking in precipitous caverns almost 250 metres beneath the surface of the earth, leaving behind incisions and hand markings on the soft chalk-like walls of the cave. It was an ancient land of inverted proportion where, to the people who lived on the flattest country on earth, the greatest topographic relief they knew existed underground. The people moved through cathedral-like chambers and narrow animal-sized tunnels in pursuit of their artistic and ritual objectives. They moved and worked in darkness disturbed only by the flickering light provided by firesticks, and left behind distinctive hand markings and vertical lines engraved with sticks and stones. Ice age people are seen here with particular vibrancy – fingers drawn across the fabric of the inner earth, the imprints of real hands belonging to real people who lived 20,000 years ago".
FIRST FOOTPRINTS – Scott Cane
Unframed 70 x 70cm
$750.00
'Desert Chill' series - inspired by Central Australia landscape and the fascinating following text. "The Pleistocene people penetrated the dark recesses of the cave, climbing and walking in precipitous caverns almost 250 metres beneath the surface of the earth, leaving behind incisions and hand markings on the soft chalk-like walls of the cave. It was an ancient land of inverted proportion where, to the people who lived on the flattest country on earth, the greatest topographic relief they knew existed underground. The people moved through cathedral-like chambers and narrow animal-sized tunnels in pursuit of their artistic and ritual objectives. They moved and worked in darkness disturbed only by the flickering light provided by firesticks, and left behind distinctive hand markings and vertical lines engraved with sticks and stones. Ice age people are seen here with particular vibrancy – fingers drawn across the fabric of the inner earth, the imprints of real hands belonging to real people who lived 20,000 years ago".
FIRST FOOTPRINTS – Scott Cane
Inner Earth
Collage on Paper
Unframed 70 x 70cm
$750.00
'Desert Chill' series - inspired by Central Australia landscape and the fascinating following text. "The Pleistocene people penetrated the dark recesses of the cave, climbing and walking in precipitous caverns almost 250 metres beneath the surface of the earth, leaving behind incisions and hand markings on the soft chalk-like walls of the cave. It was an ancient land of inverted proportion where, to the people who lived on the flattest country on earth, the greatest topographic relief they knew existed underground. The people moved through cathedral-like chambers and narrow animal-sized tunnels in pursuit of their artistic and ritual objectives. They moved and worked in darkness disturbed only by the flickering light provided by firesticks, and left behind distinctive hand markings and vertical lines engraved with sticks and stones. Ice age people are seen here with particular vibrancy – fingers drawn across the fabric of the inner earth, the imprints of real hands belonging to real people who lived 20,000 years ago".
FIRST FOOTPRINTS – Scott Cane
Unframed 70 x 70cm
$750.00
'Desert Chill' series - inspired by Central Australia landscape and the fascinating following text. "The Pleistocene people penetrated the dark recesses of the cave, climbing and walking in precipitous caverns almost 250 metres beneath the surface of the earth, leaving behind incisions and hand markings on the soft chalk-like walls of the cave. It was an ancient land of inverted proportion where, to the people who lived on the flattest country on earth, the greatest topographic relief they knew existed underground. The people moved through cathedral-like chambers and narrow animal-sized tunnels in pursuit of their artistic and ritual objectives. They moved and worked in darkness disturbed only by the flickering light provided by firesticks, and left behind distinctive hand markings and vertical lines engraved with sticks and stones. Ice age people are seen here with particular vibrancy – fingers drawn across the fabric of the inner earth, the imprints of real hands belonging to real people who lived 20,000 years ago".
FIRST FOOTPRINTS – Scott Cane
Dead Finish
Collage on Paper
1.4 x 1.4m
$1800.00
1.4 x 1.4m
$1800.00
Sunday Meditation Didthul
Stepping off from earth to heaven
Graphite on Paper
1.4 x 1.4m
$2500.00
Graphite on Paper
1.4 x 1.4m
$2500.00
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